I am currently talking about the possibilities of an original score for the film with a distinguished Canadian composer of contemporary music working and living in Berlin.

When I first heard his music, I immediately knew the match was perfect. His intonations are in perfect synchronicity with the mood that I want to convey in this film, and we are currently trying to figure out which compositions will be best-suited for different scenes, and how we would go about recording them.

There is a chance that I will go to Berlin this summer, to record a quartet play his music in a church. Until then, you'll have to wait for the reveal.

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